Even though the first publications of Natsume Sōseki’s (1867–1916) works were illustrated and had visual elements, the research on Sōseki focuses mostly just on the text. Nevertheless, Sōseki’s entire oeuvre shows from the beginning to the end a deep but shifting image-text relation that has to be introduced and placed into the historical context, taking the artists (Natori Shunsen, Noda Kyūho, Asai Chū, Hashiguchi Goyō, Nakamura Fusetsu, and Tsuda Seifū), publication type (newspaper, book, pocketbook) and genre into consideration. This approach can thereby identify a network of artists and intellectuals, as well as places and visual ideas.
My presentation aims to give an overview of the material and the illustrations, while also analyzing particular image and text examples, thereby giving Sōseki also a visual standing in the discourse about Modernity and the Fin de Siècle.
Kevin Schumacher, University of Munich / DIJ