The new publication Literature After Fukushima. From Marginalized Voices to Nuclear Futurity (Routledge 2023), co-edited by Linda Flores and DIJ’s Barbara Geilhorn, examines how aesthetic representation contributes to a critical understanding of the 3.11 triple disaster – the Great East Japan earthquake, tsunami, and meltdowns at the Fukushima Daiichi Nuclear Power Plant in 2011. Based on key works from the 3.11 literature, the book explores how the disaster reframed discourses in trauma studies, eco-criticism, regional identity, food safety, civil society, and beyond. Literature after Fukushima is the first English-language book to provide an in-depth analysis of a wide range of representative literature on post-3.11 and its social ramifications. The ten contributors include Barbara Geilhorn (“Between Trauma Processing, Emotional Healing, and Nuclear Criticism— Documentary Theater Responding to the Fukushima Disaster”) and DIJ alumna Kristina Iwata-Weickgenannt (“Voice and Voicelessness: Reading Vernaculars in Post-3.11 Literature”). The book is an outcome of Barbara’s research project Arts and Literature after Fukushima. An interview with Barbara on this new publication can be found here (in German)